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This article offers a speculative exploration of performance in a Hitchcock film by looking in detail at Robert Donat's characterisation of Richard Hannay in The 39 Steps (1935). It has been argued th...
In this essay I bring together costume, set design, music, movement, camera and text into a brief narrative discourse of physical and visual performativity.
The final fourteen dancers performed and for the first time ever, classical ballet was featured along with the usual popping, ballroom, jazz and contemporary styles. Plus, Nigel Lythgoe announced a ne...
In this poetical meditation, Alain Derbez articulates links between significant moments in Mexican political and social history, and significant Mexican jazz musicians.

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